The Prairie Kings hockey team fight for the league championship and for their lives all in one night.

在风景秀丽(lì )的太平湖，在(✝)此(cǐ )写作的(😞)作(🖋)家周(zhōu )楚寒和来旅游(🌦)的(🎈)(de )江颜在此(🏢)相(🐼)遇(yù )，因为不经(jīng )意的(🌕)(de )碰撞，相互之(zhī(🛍) )间那颗驿动(➕)(dò(🐭)ng )的心(xīn )变(biàn )得跳动起(😁)来(❓)(lái )，虽然素(🦌)不(🛑)(bú )相识，却迷失在太(tà(🌒)i )平(🤮)湖和群山(shā(🤞)n )之中，真实而虚(🍊)幻(huàn )，浪漫而激(jī )情(qí(😹)ng )。 旅(🦇)游结束，江(💚)(jiā(👲)ng )颜回到现实生(shēng )活中(👦)，但(⛱)没有想(xiǎng )到(🈚)在城市中又(yòu )遇到周楚寒，一(yī )场情(🕹)感纠葛就(jiù(🕡) )此(⛸)开始，江颜在(zài )周的追(😣)逐(🕡)之下(xià )，慢(🏆)慢(😩)的松动了(le )自己情感的(🎟)堤(dī )坝，由拒绝(🔂)(jué )慢慢(màn )爱(⛲)上(📋)了周楚寒(hán )，江颜为了(➰)(le )爱(🏨)放(fàng )弃(qì(🕐) )一(🍌)切，本以(yǐ )为和她一样(😫)(yà(📷)ng )勇敢的(de )周楚(🐫)寒，苦(kǔ )于压力(📝)，最(zuì )终选择(zé )了在痛(➖)苦(🔠)中(zhōng )逃避(🎿)…(🌈)… 几(jǐ )个(gè )月之后，江(📥)颜(❕)碰(pèng )到了周(🛷)楚寒一(yī )家聚餐的情景，感慨万分，最(📫)(zuì )后她来到(😬)了(🌟)太平(píng )湖，当时他们(men )相(🍨)遇(🚏)的地方，情(🎼)(qí(💓)ng )感再也控制不(bú )住痛哭流泪。爱(ài )情(🤘)开始的地方(🐻)(fā(🔤)ng )又成了结束(shù )的地(dì(😎) )方(👳)。

某外国城(🏷)(ché(🛋)ng )市，来自韩(hán )国的(de )女(nǚ(🗂) )演员英熙，正因(🎦)为和国(guó )内一(🍑)个(gè )已婚男子的(de )恋情(🌁)而(🐮)备受(shòu )压(🚀)力(🥏)，她放弃了一(yī )切，甘受(🥫)千(🕧)(qiān )夫(fū )所指(🙎)以此表明心(xīn )迹。他说会去(qù )找他，但(📐)她并不(bú )相(🖕)信(🚁)。在熟识(shí )的朋友家吃(🌁)过(🦕)饭(fàn )，她去(📍)了(💟)海边(biān )。她认为朋友不(bú )会理解这段(🤡)感(gǎn )情，但还(🍨)是(📥)(shì )问道(dào )：“他会像我(📸)(wǒ(😻) )思念他一(⏮)样(🧟)(yàng )思念(niàn )我吗”

一场错(🏛)(cuò )判，三年冤(yuā(🗜)n )狱，改(gǎi )变了几(🔙)个年(nián )轻人的命运(yù(📄)n )，村(👀)里(lǐ )近来(🤗)接(🍣)连发(fā )生多件令人(ré(🕶)n )匪(♎)夷所(suǒ )思的(😏)事件。村里有个年轻(qīng )人叫喜旺，自称(🍕)(chē(🐎)ng )能看见亡(😡)者(🏪)灵(líng )魂，二丫请他帮(bā(🅾)ng )自(😐)己驱鬼，由(yó(🔟)u )此喜旺、李队与(yǔ )所谓的鬼魂之(zhī(💲) )间展开了一(🏺)场(👣)智(zhì )慧的较量。

郑(zhèng )思(🕶)杰(🌝)监制，卢炜(🐨)(wě(💸)i )麟执导的《今(jīn )晚打僵(🎇)尸》则是(shì )港味(🛷)十足的喜(xǐ )剧(🌘)，将主攻(gōng )香港本(běn )土(🎅)市(🎗)场，不(bú )会(🚌)在(📤)内地公(gōng )映。由(yóu )白只(🍝)、(🌲)张继(jì )聪主(🏼)演的《今晚打(dǎ )僵尸》则是(shì )一部惊悚(🏻)题(🕊)材(cái )的喜(🤟)剧(🥘)，该片根(gēn )据余咏良的(🛄)畅(💄)(chàng )销小说改(🐘)编而成(chéng )。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

Kyle Braddock has spent the last decade moving witnesses over the border to Mexico and has always avoided confrontation or suspicion until now. Not only has he been framed for kidnapping but there's a malevolent and unrelenting figure on his trail and he is falling in love with his latest passenger, who has a dark secret that completely goes against all of his moral beliefs. Now he must protect the first person he has cared about in over ten years, discover who he is as a man and outrun a mysterious killer who is more akin to a force of nature, with an ever increasing path of human collateral in his wake.